Half World: Background Information

gotoHiromi Goto has her own website, which makes it easier to find out about her and her work.  From it we learn that she writes poetry, short and long fiction. She writes for children, teens and adults.  It makes sense to me that Goto is a published poet, because one of the the standouts of Half World is the language.  Her writing asks the reader to utilize all of their senses.  She has written a sequel to Half World called Darkest LightIt takes place sixteen years after the events of the first novel.

Half World won two awards, the 2010 Sunburst Award (YA Category) and the Carl Brandon Parallax Award, and was nominated for four more, including the IMPAC Dublin.  I follow this award because it has an incredibly long and varied longlist.  Nominations are made by public libraries.  Goto’s website recommends Half World for fans of Pan’s Labyrinth and The Spiderwick Chronicles.  I think she nailed it.

In an interview with Indiebound, Goto addresses how having “children of color” motivates her to write the protagonists she writes.  She says, “Children of color were seldom depicted as having adventures, solving mysteries, saving lives, falling in love, etc. After several years of frustration I thought, Okay! It’s not out there! You’re a writer. You do it! Our children want and need their adventures, too! So this item has been added to my writerly agenda” (as cited in Grant, 2008).

Goto’s blog is sporadically updated.  The most recent post links to an interview she did for Nineteenquestions.  Nineteenquestions is a project by the Creative Writing Program at UBC.  It explores “how writers became who they are” (Nineteenquestions, 2014).  Of writing, Goto says, “You can touch someone’s life, you can inspire, educate, suggest, seduce. You can break apart silence, smash oppression, set fire to old regimes, you can imagine a better world…. ” (as cited in Whishaw, 2014).  Goto is more active on Twitter.  She tweets about the environment, politics, writing, and cooking.  Her handle is @hinganai.

Goto currently lives in BC where she’s working on an adult novel and a graphic novel.  I’m not surprised to hear she lives here; the World of the Flesh parts of Half World are clearly set in Vancouver (though the setting is unnamed, streets and stores are not).

Image Sources (from top to bottom)

Ramos, K. (2014). Hiromi Goto [Photograph]. Retrieved from http://www.hiromigoto.com/wp-content/uploads/IMG_3957_color_scl-300×200.jpg

References

Grant, G. J., & Indiebound. (2008). Hiromi Goto interview. Retrieved from http://www.indiebound.org/author-interviews/gotohiromi

Whishaw, H. (2014, June 16). Hiromi Goto – nineteenquestions [Web log post]. Retrieved from http://nineteenquestions.com/2014/06/16/hiromi-goto/

Home is Beyond the Mountains: Background Information

Celia Barker Lottridge

watermelonBefore reading this book, I primarily knew Lottridge as the author of One Watermelon Seed a colourful counting book that I sometimes use in preschool library programs.  My six-year old enjoys reading this book as well. Of that experience, Lottridge says, “About 1983, a publisher who had done an alphabet book asked me to write a counting book, and so I wrote One Watermelon Seed.  They liked it but said it had to have coloured illustrations, something that house wasn’t then doing.  Later I happened to be at Oxford University Press and showed it to Bill Toye who immediately said he’d publish it.  That experience led me to the conclusion that it was time to start writing the books that I wanted to write” (as cited in Jenkinson, 1997).

roosterI also knew that she was co-author of Telling Tales: Storytelling in the Family with our own professor Gail de Vos, and Merle Harris.  Clearly family stories are very important to Lottridge; she draws on her own family’s history for Home is Beyond the Mountains.  She has also authored an adaptation of a Russian fairytale, Music for the Tsar of the Sea.  I was not aware that she had adapting the Hungarian folktale The Little Rooster and the Diamond Button, and have added it to my TBR.

storytellingIn researching for this project I learned that Lottridge has been a librarian and is a professional storyteller.  She is an American-born Canadian, and “helped to form the Storyteller’s School of Toronto to promote storytelling in the city’s schools” (The Gale Group, Inc., 2006).  Lottridge began writing seriously in the 1980s “as a way to supplement her income as a single parent, and in the 1980s she began to take writing seriously” (The Gale Group, Inc., 2006).

Her other novels for children include:

  • The Curlew series: Ticket to Curlew (2001) and Wings to Fly (1997)
  • Ticket to Canada (1992)
  • The Wind Wagon (1995)
  • Berta: A Remarkable Dog (2002)
  • The Listening Tree (2011)

wingsI haven’t read any of her other novels.  With the exception of Berta, they are all historical fiction.  Wings to Fly takes place in 1918, the same year that Home is Beyond the Mountains begins.  The female protagonist in Wings to Fly is older than Samira and from a different cultural background.  It might be interesting to read this novels together and compare them in more detail.

The Setting

According to the blurb, Home is Beyond the Mountains is about “the chaotic time at the end of World War I, when hundreds of thousands of Assyrians and araratArmenians were forced to flee from the Turkish Army.”  I know very very little about Iranian history, and even less about the Assyrian population in Iran.  (To be brutally honest, I wasn’t entirely sure Turkey and Iran shared a border and had never heard of the region of Urmieh, Iran.  I had no idea that the Assyrian genocide existed.  My closest point of reference would have been Atom Egoyan’s film Ararat about the Armenian genocide.)  For this reason, I found “The History Behind the Story” pages of the book very helpful.  It would have been more useful to me, if this information had formed an introduction to the novel rather than an afterward.

How the Book Came to be Written

sheddfamilyLottridge includes two afterwards to the book, “Where the Story Came From” and “The History Behind the Story” (p. 222-3).  In the first, she tells the story of her mother’s older sister, Susan, who was “the director of an orphanage for Assyrian refugee children in Hamadan” (p. 222).  Her maternal aunt is Susan Shedd, the orphanage director in Home is Beyond the Mountains.  Lottridge used family letters, stories her mother told her about her aunt, and newspaper articles as sources for her book.  While researching the book Lottridge (2006) sent out a request for information via  Gorgias Press.  She wrote,

neareastrelief“I have found nothing about the experiences of the orphans who survived the war, only to be left in refugee camps for several years before they could find a home of any kind.  I would especially like to find out more about the orphanages at Hamadan and Kermanshah run by the Near East Relief.  Any personal accounts of children’s experiences in the orphanages, on the trek from Hamadan to Tabriz or after returning to Urmia would also be of tremendous help.  If anybody could help me at all with my search I would be very grateful” (as cited in e-Gorgias, 2006).

Image Sources (from top to bottom)

One Watermelon Seed [Book Cover]. (2008). Retrieved from http://www.syndetics.com/index.aspx?isbn=9781554550340/MC.GIF&client=sirsi&type=xw12&oclc=

The little rooster and the diamond button [Book Cover]. (2001). Retrieved from http://www.syndetics.com/index.aspx?isbn=0888994435/MC.GIF&client=sirsi&type=xw12&oclc=

Storytelling Toronto. (2014). Storytelling Toronto [Logo]. Retrieved from http://www.storytellingtoronto.org/site/wp-content/uploads/2014/07/logo_cover.png

Wings to fly [Book Cover]. (2007). Retrieved from http://d.gr-assets.com/books/1328770797l/1931599.jpg

Ararat [Movie Poster]. (2002). Retrieved from http://www.google.ca/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&docid=Lu16o83NsD0ovM&tbnid=vRgFeJnJHBY8vM:&ved=0CAUQjRw&url=http%3A%2F%2Fwww.rogerebert.com%2Freviews%2Fararat-2002&ei=UfDfU4KVI-KrigLP_IGYDw&bvm=bv.72197243,d.cGE&psig=AFQjCNHCwYnQQxBZBHrD79cM5GtRTQjdVw&ust=1407271372277705

William A. Shedd with his second wife Louise Wilbur Shedd and his four daughters, the youngest one is Louise (Celia’s mother) [Photograph]. (n.d.). Retrieved from http://www.gorgiaspress.com/bookshop/images/gp/Shedd-and-his-family2.jpg

United States Government. (n.d.). Lest they perish campaign poster of the NEF [Poster]. Retrieved from http://upload.wikimedia.org/wikipedia/commons/thumb/3/32/Neareastrelief2.jpg/220px-Neareastrelief2.jpg

References

The Gale Group, Inc. (2006). Celia Barker Lottridge: Biography. In Answers.com. Retrieved August 5, 2014, from http://www.answers.com/topic/celia-barker-lottridge#ixzz39S0adpil

Gorgias Press. (2006, December). Enthusiast of the Month: Celia Baker Lottiridge [sic]. e-Gorgias, (13). Retrieved from http://www.gorgiaspress.com/bookshop/t-e-Gorgias13.aspx

Jenkinson, D. (1997, September 23). Celia Lottridge. Canadian Review of Materials.  Retrieved from http://www.umanitoba.ca/cm/profiles/lottridge.html

Lottridge, C. B. (2010). Home is beyond the mountains. Toronto, ON: Groundwood Books/House of Anansi Press.

 

 

 

No Girls Allowed: Background Information

susanh

Susan Hughes

Susan Hughes is the author of twenty books.  She writes both fiction and non-fiction.  No Girls Allowed is her first graphic novel.  On her website, it is counted among her non-fiction titles.    I haven’t read any of Hughes’ fiction titles, but have perused some of her non-fiction titles about Canada. I found them useful when I was an ESL teacher.  Her website hasn’t been updated in 2014.  She is, however, active on Twitter.  Her handle is @childbkauthor.

hyenaWillow Dawson lives and works in Toronto.  She both writes and illustrates and created Hyena in Petticoats: The Story of Suffragette Nellie McClung.  I haven’t read any of the books she’s written or illustrated before.  Her illustrations have a cohesive look to them.  Her website also stops at 2013.  She is active on Tumblr and Twitter, where she uses the handle @WillowDawson.  Some of Dawson’s favourite graphic novels include:

  • Skim by Mariko Tamaki and Jillian Tamaki
  • The Plain Janes by Cecil Castellucci and Jim Rugg
  • Aya by Marguerite Abouet and Clément Oubrerie
  • Persepolis by Marjane Satrapi (Dawson, as cited in Hughes, 2012).

I’ve read Skim; the illustrations in that memorable graphic novel are more realistically done and use shading.  Aya and Persepolis make use of stylized illustrations.  Like Dawson’s illustrations in No Girls Allowed, Persepolis shuns shading.  (While I didn’t find the stark blacks and whites had a distancing effect in Persepolis, I do in No Girls Allowed.)  What all four titles on this list have in common is that they are all about female characters, and collectively cover a wide cultural landscape.  Both Aya and Persepolis are autobiographies.

Hughes and Dawson collaborated with Ian Daffern to create a video discussing No Girls Allowed:

This book has obvious relevance to teachers and teacher-librarians.  Book Centre has posted Learning Resource Material that supports “the elementary curricula in language and literature, social studies and visual arts, grades 4-7”.  This guide addresses the brevity of the tales presented, encouraging children to create a snapshot of a particular time and place.  It also asks students to think about if the book should be considered fiction or non-fiction given that some of the source material has been passed on via storytelling.

SOURCES

Image Sources (from top to bottom)

Susan Hughes [Photograph]. (n.d.). Retrieved July 14, 2014, from http://www.kidscanpress.com/canada/CreatorDetails.aspx?CID=616

Hyena in Petticoats [Book Cover]. (2011).  Retrieved from http://www.canadianteachermagazine.com/archives/reviews/biography/Hyena%20in%20Petticoats.jpg

References

Hughes, S. (2012, May 17). Willow Dawson, graphic novelist with the most-est, chats with Susan Hughes [Web log post]. Retrieved from http://www.openbooktoronto.com/shughes/blog/willow_dawson_graphic_novelist_with_mostest_chats_with_susan_hughes